Abstract

The pandemic has revealed “versatility” as a significant asset for both venues, as well as performers and musicians. The ability to successfully alter and optimize venue acoustics to accommodate a wider range of programming has become an important consideration in the design of performing arts venues. The responsibility of making the changes, however, falls to the venue management—who may not have been included in meetings that determined how such systems should be utilized. Even when management and operators are trained on best deployment, personnel can change over time. If the “worth” of these systems is not conveyed to incoming personnel, they may be underutilized, thus compromising design goals. We will discuss some real world examples of both good and “not so good” deployments of variable acoustics.

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