Abstract
How might culture be embedded in artworks? As a Brazilian artist performing abroad, I often receive feedback suggesting that my solos are deeply related to my “roots”. Such experience led me to three reflections: 1. It is tempting to reduce a dance experience by seeing only; 2. It is ambitious to pinpoint someone’s culture through a dance; 3. Stereotypes prevent the exchange and flourishing of innovative ideas. In this paper, I will refer to my performance Sombreiro (2018) to explore how shadows can be used to connect people to culture. By sharing dance, psychology, history, and anthropology references, I will discuss how shadow aspects of Bahia served as choreographic strategies to suggest a sense of unknowing and otherness in the audience.
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