Abstract

Based on recent ethnographical data from Maputo, Mozambique, this essay examines the revolutionary aesthetics of political meetings in a sociopolitical environment marked by the collapse of a national socialist ideology. Local political meetings in Mozambique articulate a paradoxical tension between sacrifice and revolution. While socialist rule disintegrated in the mid‐1980s, most local political meetings allow for the actualization of the revolutionary socialism which the governing Frelimo party was forced to sacrifice in order to remain in power. In the essay, it is thus examined how the enactment of a revolutionary aesthetics successfully exposes what Frelimo was incapable of realizing and thus momentarily captures the party's ideological legitimacy. Taking my inspiration from Roy Wagner's recent work on holography and invention, I explore the relationship between sacrifice and revolution as an articulation of a symmetrical ‘twinning’ of seemingly contrastive political principles that are held together by a singular political aesthetics that is actualized only at political meetings.

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