Abstract
With the advances of science and technology, artificial intelligence has become a part of our daily life. The 2014 film Her tells a romance story between a human and artificial intelligence operating system. The story unfolds as main character Theodore gradually develops doubts towards nature of his AI lover and himself as a human being. The article writes that this film is about identify crisis in our everyday life. Using postmodern theories, this article analyses the scripts and mise-en-scène of the film and discusses the identity crisis of the main character. In the end, the article points out that, just like individuals in the postmodern reality, the identity crisis of main character derives from the cyberspace new norms that boundaries between men and women, human and machines are blurred. It is an end of dichotomy self-identification. Each individual is unique in the postmodern society. The identity should be constructed in the contexts of each individual.
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