Abstract
Identity mobility has been a popular theme in the translated theatre of Hong Kong since the 1980s. In addition to Twelfth Night, which we have discussed in Chap. 6, titles such as A Servant of Two Masters, The Importance of Being Earnest, Noises Off, Spring Fever Hotel, A Midsummer Night’s Dream, Run for Your Wife, A Flea in Her Ear, Room Service, An Absolute Turkey and Whose Wife Is It Anyway? were frequently staged and widely loved by the local audience. Among these plays, two titles particularly caught the imagination of the Hong Kong audience, namely, Ray Cooney and John Chapman’s Move Over, Mrs. Markham! and George Bernard Shaw’s Pygmalion.
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