Abstract

This article considers ways that representations of anthropomorphic imagery in the form of figurines from prehistoric village communities have been interpreted and provides a new framework for analyzing figurines. It has been long suggested that prehistoric figurines should be interpreted as representations of female gendered qualities related to ritual, fertility, and motherhood combined into a concept called “mother goddess.” The impetus for the adoption of this interpretation and evidential association with prehistoric figurine assemblages and bound to binary gender is briefly critiqued. The methodology for studying figurine assemblages presented here utilizes typological, archaeological, and comparative analysis and is cognizant of inherent ambiguities in the object biographies of the full assemblage. This study applies this methodology to a corpus of figurines excavated from sixth millennium settlements associated with the Halaf material culture. This approach is then operationalized with case studies of figurines excavated from Domuztepe (Turkey) and Chagar Bazar (Syria) as examples of engagement with those who conceived, made, used, and discarded them. The Halaf figurine corpus is shown as nuanced, displaying sexual difference and humanness on a spectrum from overt to ambiguous. Considered as a whole, the Halaf corpus is shown to have had mundane and mutable use lives related to embodied identities entangled with culture and community, unconnected to gender binaries, ritual, fertility, or motherhood.

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