Abstract
In the introduction to a publication, it is customary to emphasize the novel aspect of the issue(s) it deals with. Lori Pauli, curator of the exhibition La Photographie mise en scene : creer l’illusion du reel, applies herself to this task by winding up her essay “Planter le decor/Sketching the decor” with a regret: “Several historians of photography have overlooked staged photography, skipping the subject as if it had something to do with a moment of confusion, wild or otherwise, an agreeabl...
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