Abstract
Ideas’ stories and people’s stories in A. Zholdak’s directorial conception.
Highlights
■ Problematic field, objectives and methodology of the study
The first of them is the definition of a system of principles that are guided by contemporary directors, embodying their “radical” concepts on stage
The second problem, owning or mastering interpretative mechanisms, is related to the processes of sensing text in the receiving area. It refers to the level of development of skills of “unlocking” the text, skillful possessing the “keys”, which are appropriate for using in work with a text of modern musical theater.These very problems are actualized by P
Summary
■ Problematic field, objectives and methodology of the study. The “star” figure of A. ■ Key words: opera, narrative, symbolism, interpretation, director’s theater, director’s concept, opera performance, staging, modern music and drama theater. Чайковського, пов’язану з осмисленням опери через історико-культурний контекст епохи її створення.
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