Abstract
AbstractThe article presents a theoretical model for evaluating architectural works artistic novelty of which is associated with concrete – the medium of the 20th century architecture. The theoretical model reflects the idea ofautopoiesisand works as a network parameter system, which promotes the constant renewal of knowledge in the field of concrete architecture. The theoretical scheme consists of two levels: at Level I the object’s aesthetic-technological type is identified; at Level II – specific features of interaction between artistic forms and reinforced concrete technologies in architecture are revealed through the net of aspects and indicators. Vilnius Palace of Culture and Sports as one of the iconic examples and the representative ofsolidaesthetic-technological type of the Lithuanian concrete architecture has been chosen to test the theoretical model.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
