I Wonder as I Wander: The Life of John Jacob Niles (review)

Abstract

AMERICAN FOLK Wonder as Wander: The Life of John Jacob Niles. By Ron Pen. Lexing ton: University Press of Kentucky, 2010. [xv, 371 p. ISBN 9780813125978. $35.] Illustrations, notes, bibliography, discography, index. John Jacob was one of those liminal characters so often found throughout the history of American music, difficult to define in academic terms and almost as difficult to pin down as a personality. Probably best known today as the composer of the Christmas song I Wonder as Wander, was a true polymath: singer, composer, arranger, writer, raconteur, performer, aviator, inventor, farmer, ballad hunter, and entrepreneur. An inspiration to musicians as diverse as Eleanor Steber, Arnold Schoenberg, and Bob Dylan, inhabited a musical space that was certainly beyond category. As Dylan remarked in his own memoirs (quoted by Pen): Niles was non-traditional, but he sang traditional songs. A Mephistophelean character out of Carolina [sic], he hammered away at some harplike instrument and sang in a bone chilling soprano voice. was eerie and illogical, terrifically intense and gave you goosebumps (p. 281). Ron Pen's longawaited, engagingly written, and wellresearched biography is as close as we are likely to come in beginning to understand this eccentric, exasperating, influential, and immensely gifted individual. Pen, a professor of music and director of the John Jacob Center for American Music at the University of Kentucky, is certainly well placed to utilize the plethora of sources documenting Niles's life and work. He has been involved with this subject for some twenty years of his own life and his efforts have paid off mightily. He proves himself to be a scrupulous scholar, demonstrating a wonderful ability to craft a clearly written, interesting narrative out of a huge number of disparate manuscripts, publications, and other sources. And the Uni - versity Press of Kentucky should be congratulated in producing a well-made, attractive volume with full scholarly apparatus and (mostly) excellent plates and illustrations. Born in Kentucky, the state where he lived most of his life, John Jacob began his musical training early, and by his teens he had already developed interests in both classical and folk repertories. During this time he began collecting folk songs from traditional singers in his state, and by his early twenties had covered quite a bit of the eastern part of Kentucky. Without recording equipment, was forced to transcribe by hand the songs he heard. However, was always interested in making his transcriptions performable in a modern setting, more often than not providing accompaniments and melodic variations that sometimes made the songs into more his own compositions than into an accurate representation of his informants' performances. Pen details the fact that this has engendered criticism from folklorists and ethnomusicologists, but was not able, in a narrative such as this, to explore this issue in a philosophically detailed way. do not criticize him for this, but mention it only in the hope of spurring more discussion on the issue for future critics and researchers. Indeed, the issue of representing other cultures is something with which anthropology and ethnomusicology, as fields, have always struggled, and a more detailed case study of a figure like would be very welcome. …