Abstract
ABSTRACT The act of walking energizes the formation of Isabella Whitney’s poetic voice in her second volume of verse, A Sweet Nosgay (pub. 1573). Walking out of her house, trespassing in Plat’s garden, and traversing the perimeter of Bedlam are just a few of the striking scenes that depict Whitney’s perambulation. To examine the connection between walking and the formation of her poetic voice, I suggest that Whitney’s walking operates in two distinct registers. Firstly, walking is a thematic concern that exposes her interest in the contours of intellectual independence, the process of artistic production, and the vulnerability occasioned by impecunity. Secondly, walking operates as a form of poetic performativity, figurative of her trajectory towards print publication. This essay expands discussion on Whitney’s mobility, suggesting that perambulatory poetics are a crucial component of her authorial self-presentation in A Sweet Nosgay.
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