Abstract
This paper analyzes the rhetorical function of the tropes of love and sex in the quintessential break up song, “I Used to Love Him,” from Lauryn Hill's multi-platinum 1998 album, The Miseducation of Lauryn Hill. Through a textual analysis that emphasizes the recurrent tropes of synecdoche and metaphor, I argue that, despite the song's seemingly liberating and empowering message, its conception of love is rooted in movements towards new forms of domination as opposed to self-actualization. This critical examination of a black love relationship within hip hop's myriad mediated representations of loveless black sex contributes to the resurgent interest in discourses on love.
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