Abstract

As was seen in the Introduction, the generic identity of epigram is governed by two senses of the Greek preposition epi: an epigram may be physically inscribed ‘on’ an object, or ‘on the subject of’ an object (or something else: a person, an event). This chapter is concerned with epigrams physically inscribed on a stone or other object. In spite of the fact that inscribed epigram comes first chronologically (beginning as early as the eighth century BCE), includes some of the most famous lines in Greek literature (such as those above), and numbers famous names such as Simonides among its exponents, it can sometimes be treated as the poor relation of literary epigram, which had its heyday in the Hellenistic period (see Chapter 2). There is a perception that epigram comes into its own once it has ‘escaped’, as it were, from its stone or other physical medium, and is thus at liberty to use its words to create a virtual object in the reader's mind (or not, as the poet chooses).

Full Text
Published version (Free)

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call