I - Introduction: Background and Problems

Abstract

EPICI have lived in important places, timesWhen great events were decided, who ownedThat half a rood of rock, a no-man's landSurrounded by our pitchfork-armed claims.I heard the Duffys shouting ‘Damn your soul’And old McCabe stripped to the waist, seenStep the plot defying blue cast-steel—‘Here is the march along these iron stones’That was the year of the Munich bother. WhichWas more important? I inclinedTo lose my faith in Ballyrush and GortinTill Homer's ghost came whispering to my mindHe said: I made the Iliad from suchA local row. Gods make their own importance.1 Patrick Kavanagh's short poem confronts the reader with a number of questions which will preoccupy us in this survey. The Homeric poems show us a world which in many respects seems primitive and remote; even if the expedition of the Greeks against Troy really happened, even if it took place on the scale which the Iliad asserts, and lasted the full ten-year span, it would still be ‘a local row’ compared with later historical conflicts, ancient or modern. Can the bad-tempered disputes of warrior chiefs, the violent revenge of a savage and undisciplined soldier, the lies and posturing of a vagabond rogue, still move or excite an audience today? It will be necessary to show here some of the ways in which Homer gives the conflict at Troy, and the homecoming of Odysseus, a timeless importance, so that these mere episodes in the vanished heroic age – long past even for the poet and his audience – become microcosmic images of human life. The vast subject of Homer's influence upon later western literature cannot be even superficially addressed here; but occasional comparisons and illustrations may help to show how much subsequent poets and artists have found in the Iliad and the Odyssey to enlighten and inspire their own work.