“I Heard You Went to Nam”: Home, Hospitality, and Legitimated Violence in Percival Everett’s Walk Me to the Distance

Abstract

Historian Daniel S. Luck has noted in Selma to Saigon that “the civil rights movement and the debates over the Vietnam War were at the center of the turbulence of the 1960s” (1). While true, one also recognizes that the afterlives of the civil rights movement and the Vietnam War are momentous historical events with which America continues to contend. Several African American writers of the post-civil rights/post-Vietnam era, including Percival Everett, have written works of fiction that continue to grapple with the afterlives of these cataclysmic historical events. Set in the American West, Everett’s 1985 novel Walk Me to the Distance finds its protagonist, David Larsen, a returning Vietnam veteran, at loose ends. David winds up stranded in a small, remote town, Slut's Hole, Wyoming, where he eventually decides to stay. His decision to settle in the West is as much influenced by his romanticization of life on the American Frontier as it is with his disgust for a rapidly changing country where he feels he no longer belongs. In this essay, I argue that Walk Me to the Distance is not only an astute meditation on Frontier Mythology and Frontier justice associated with the early settlement of the American West but also that the novel reveals that these foundational myths and ideas continue to be paradigmatic features of American culture in the twentieth and twenty-first centuries.