Abstract
Since 1995, my theatre career has increasingly been focused overseas, in the countries of eastern and central Europe. I direct for state theatres, from mid-sized to very large; I conduct workshops on acting, using a method I developed called “BOXWHATBOX”; and I attend conferences on Canadian Studies as an invited speaker. Thus, all my activities abroad involve being a Canadian in a foreign culture and articulating, explicitly or implicitly, what that means.
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