Hyperathletic Artistry: Nathan Chen and Yuzuru Hanyu Performing Asian Masculinities

Abstract

The Chinese American skater Nathan Chen and the Japanese skater Yuzuru Hanyu have demonstrated what we call a ‘hyperathletic-artistic turn’: recognizing an almost superhuman, quad-jumping ability along with an equally developed artistic side. This article closely analyses their 2018 Olympic season performances exploring costuming, music, dance choreography, and jumping ability. While Chen's balletic and dancerly choreography – a ‘return of the dancer’ aesthetic – maintains an individualistic maverick instead of commercially recognisable macho hypermasculinity, Hanyu's ‘soft masculine queer turn’ draws from the queer costuming and mannerisms of Johnny Weir and the confidence of Evgeni Plushenko. Through their performances and choreography, we argue that Chen and Hanyu importantly carve out emerging artistic forms of East Asian and Asian-American masculinities in the predominantly white sport of figure skating. These skaters are part of a driving force in an East Asian turn in men's figure skating.