Abstract

This chapter examines Korea's animation industry, which has not been a major cultural form in Hallyu research. It investigates the historical, cultural, and economic forces that have shaped Korea's animation characters in the context of the debates on globalization utilizing the framework of hybridity. It analyzes the texts of a few animation characters, including Pororo the Little Penguin, in order to understand the major reasons for the sudden growth of the Korean animation industry. In particular, it maps out the hybrid nature of Korean animation, which is the politicization of local popular culture. By using Korea's animations, it challenges the notation of the depoliticization of popular culture. Finally, given that American and Japanese animation characters have exerted a huge influence since the early development of Korean animation, and taking into account the inclusion of elements of hybridization in production, the chapter discusses the ways in which the domestic animation industry has become popular in the global market.

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.