"Hurry up and wait": Stigma, Poverty, and Contractual Citizenship.

Abstract

The emergence of welfare contractualism in the United States in the 1970s marked a shift from viewing welfare as an entitlement to viewing welfare as a right to be earned through work. Combined with the continual degradation of labor markets since the 1970s, the rise of neoliberal ideology emphasizing individualism, and the passage of the 1996 Personal Responsibility and Work Opportunity Reconciliation Act, the devolved welfare system – most often managed by a myriad of social service nonprofits – has exacerbated the difficulties of the poor. Scholars have noted, for instance, the loss of civil rights and the proliferation of administrative burdens – including incessant waiting – with which poor people seeking aid are increasingly faced. But “contractual citizenship,” I argue, has not just remade relations between the poor and the state. Rather, as a diffuse cultural ethos, contractual citizenship has also remade relations between and amongst the poor themselves, exacerbating stigmatization, distancing, and denigration. Drawing upon an ethnography of a soup kitchen based in Syracuse, New York, I argue that as a consequence of contractual citizenship, prospective recipients of aid and the poor more broadly adapt their behavior to appear as deserving, worthy citizens and, simultaneously, externally defame their peers for their lesser behaviors. Those who take maximum advantage of free resources – such as attending multiple emergency food programs and taking more than one plate of food – are often deemed by other poor recipients of aid as greedy, ungrateful, and selfish. Thus, the repetitious and time-consuming nature of interacting with the state for basic resources – such as housing or welfare – is further complicated by this intraclass stigma. These findings not only shed light on the challenges of building solidarity amongst the poor but show how political and economic shifts influence how poor people interact with each other and the state.