Hup bi'id ɨd: Shamanic incantation at the nexus of language and culture

Abstract

AbstractIn this paper, we explore the genre of shamanic incantation (bi'id ɨd) among the Hup people of the northwest Amazon. We consider the artistic features that characterize bi'id ɨd as both verbal art and powerful shamanic action – most notably the intersecting layers of parallelism, the leveraging of metaphor from both literal and figurative perspectives, and the strategic use of evidentials. We also consider the astonishingly complex taxonomy and cosmography the genre embodies, with its ontological classification of the plants, animals, and other beings within the diverse environments of the Hup world (rivercourse, forest, sky, water, etc.). As we lay out here, Hup bi'id ɨd provides an example par excellence of Sherzer's conception of discourse as the nexus of language and culture, and an illustration of the fact that a rich understanding of language and culture must make reference to both together.