Humor as Hope?

Abstract

Abstract This article examines the use of humor in contemporary environmental short films, centering on the alleviating power of humor and its capacity to challenge conventional modes of perception. It argues that humor constitutes an important narrative device in the stories of critical hope that scholars claim are necessary in moving beyond the debilitating registers of apocalyptic rhetoric and crisis discourse. By comparing two short films—the Indian satire Finding Beauty in Garbage, and the American mockumentary The Majestic Plastic Bag—the article examines the affordance of irony, parody, and satire to model alternative and hopeful ways of interacting with contemporary toxic landscapes. The article demonstrates that while genres and devices such as satire, irony, and parody all trouble anthropocentric paradigms of human mastery, they do so in different ways and with different implications. Whereas satire offers an effective vehicle for lamenting the proliferation of waste, the critical mood that defines the genre also restricts its capacity for generating meanings and sensibilities outside conventional environmental discourse. By contrast, parody and irony appear more suited to mobilize such changes, as their playful estrangements model innovative and self-reflexive ways of perceiving waste as a source of beauty, a site of agency, and an object of guilt.