Abstract

Understood as a system of actions designed to reduce the suffering of distant humans across the world, humanitarianism is intimately connected to storytelling as a means of raising awareness and generating empathy. Humanitarian beliefs and efforts are as diverse as the religious and secular moral philosophies that motivate them. Both aid organizations and government leaders have drawn on humanitarian discourses to gather support for such things as shipments of clothing and medical supplies to those in need, resettlement opportunities for refugees, and even military interventions in the Global South. As cultural platforms that promote themes of human dignity as well as liberal freedom and autonomy, humanitarianism and literature share long histories of influencing each other since the late 18th century. With the adoption of the 1948 United Nations Universal Declaration of Human Rights in response to the atrocities committed by Nazi Germany during World War II, humanitarianism and the related discourse of human rights have received an increase in popular and literary interest in the late 20th and early 21st centuries. Whether or not these discourses are enough to counter the incredible violence of the contemporary period has been the subject of much debate. Global literatures support and critique humanitarianism and human rights as they retell histories of disaster, warfare, and state violence. As literature continues to variously imagine the causes of and responses to world suffering, the intersections of humanitarianism, human rights, and global literature embody a rich site of contestation and possibility for study in the 21st century.

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