Abstract

Somaiyeh Falahat, Libby Porter, Justin Tse, and Ryan Walker have offered eloquent and powerful critiques of an attempt to interpret images and representations of the Vancouver global city-region in the spirit of crime-scene photographs. This response seeks to engage these valuable critiques in relation to Cindi Katz's work on social reproduction and Gayatri Spivak's conceptualisation of planetarity.

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