Abstract
The treatment of human remains has become a very contentious issue, with a range of legal, moral and political pressures now weighing on archaeologists and museum curators. Attempts to respond to this changing cultural context have often tried to show an increased respect for the dead, though it is argued here that these have sometimes had counter-productive results. This paper discusses some of the complex ways in which living people have a stake in human remains, considering particularly the ideas of respect and empathy, and noting the ways in which the treatment of human remains may have changed significantly since they were originally collected. The distinction sometimes made between Western and indigenous practices is queried, with their entanglement being highlighted. It is also argued that the duality between the body and culture prevalent in archaeological accounts and museums is unhelpful. This is followed by a consideration of museums and archaeology as containing sacred practices, while a comparison of ‘art’ and ‘heritage‘ with the Maori idea of taonga is suggested as offering a way of viewing material that recognises its sacred quality. The potential social value of displaying human remains by archaeologists and in museums is also explored. Finally, it is suggested that the debate about the treatment of human remains by archaeologists and in museums is an opportunity to engage with a profound interest in a way that could lead to a more considered interest in the material world.
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