Abstract

ABSTRACT The COVID-19 pandemic has not only claimed innumerable lives but the concomitant inflation has also frustrated many small and large enterprises, not to mention the loss of jobs that employees have suffered and sometimes succumbed to through self-harm and suicides. In this context, this paper probes how a politics of representation has deeply informed the dissemination and consumption of ‘COVID news,’ rendering a legitimate visibility largely to the loss and contributions of subjects that have access to socio-economic and political resources. Milan Kundera uses the term ‘symbolic voltage’ to refer to the role that the media plays in ‘constructing’ our everyday realities. In The Lost Dimension, Paul Virilio states that modern media technology has created a ‘crisis of representation’ or an optical illusion, where the distinctions between near and far, object and image, have imploded. In a bid to keep apace with a metanarrative of pandemic-engendered loss, the collective consciousness of different societies has not adequately focused on the marginalised subjects – the wage worker, the woman, the juvenile and the scholar from suburban/rural area. The paper argues that the ‘Covid-19-as-a-past’ is likely to be represented through the semantics of traditional history, which is a narrative of and by the powerful.

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