Abstract
Laura Alcoba’s The Rabbit House (2008), belongs to the cannon of post- dictatorship child survivors—who themselves lived under the precarious life of militancy during Argentina’s Dictatorship (1976-1983). This paper exams the image of a young seven-year-old child’s who undergoes serious confrontational mischief's due to her inability to fully acquire militant norms and live by adult rules because of her child-like nature during her stay in la clandestindad. Moreover, rather than assuming the role of an innocent child figure of the 1970s Left-wing revolutionary war, Alcoba’s child protagonist assumes a politically active character that has the ability to perform childhood as though her life in secrecy did not exist.
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