Abstract
The Enlightenment universalises the rationalistic impulse to impose order onto chaos, shine light in the darkness, and substitute transparency and accountability for secrecy and mystery. Cultural critics and philosophers in the twentieth century (notably Horkheimer and Adorno of the Frankfurt School) have exposed the paradigm of the Enlightenment with its scientific principles of rationality and abstraction as well as the humanist principles of freedom and self-determination, as intrinsically power-driven and authoritarian. In the context of English drama it has been Howard Barker who has voiced similar reservations about the pseudo-humanitarian project of the Enlightenment and its continuing influence on modern society.
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