How to mend love? Wrestling with the legacy of the holocaust in recent Israeli fiction

Abstract

The children of Holocaust survivors struggle with the legacy of parental trauma, which occurred before they were born. In three recent Israeli novels the nature of this struggle departs from the normative Zionist attitude to the Holocaust, which has affirmed the triumph of the national rebirth. Rather than subscribing to the Zionist orientation, which looks at the catastrophe from the standpoint of the “new” Jew, the protagonists in the novels – children who replace the dead – turn to the unknown and unknowable past in an attempt to mend the parental love that was irreparably damaged in the destruction. Their attempts to reenter the world of parental terror reveal their predicament: they feel obligated to tell the story of suffering, which they find impossible to tell. My discussion shows how in these novels the moral obligation toward the parental story takes the form of a struggle to both reaffirm and reassess moral values in the face of the Holocaust dehumanizing destruction. David Grossman's See Under: Love explores the viability of the ideals of the Enlightenment; Michal Govrin's The Name confronts the idea of the Divine; Ruth Almog's The Inner Lake explores the possibilities of artistic creativity in face of terror. Paradoxically, the struggle to penetrate the parental experience signals a hope of repair. The daring to face the terrifying echoes and phantoms in an attempt to reconstruct the destroyed parental world becomes the act of mending because it reaffirms the relevance of humanistic values.