Abstract
This article counters critical opinion on The Big Lebowski by detailing the ways in which Joel and Ethan Coen build their film around varied but viable generic structures. This use of genre allows viewers to construct several films from one text, which may account for the ever-growing popularity of this film.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callSimilar Papers
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
