Abstract

ABSTRACT Building on moral foundations theory, this article explores which combinations of moral ambiguity domains (care–harm, care–unfairness, fairness–harm, and fairness–unfairness) exhibited by morally ambiguous protagonists (MAPs) in movies evoke a stronger sense of moral conflict in viewers. It further explores viewers’ moral judgment process when they perceive moral conflicts in protagonists who demonstrate moral ambiguity. Study 1, using a measurement-of-mediation design, confirms a moral judgment process; perceived moral conflict encourages viewers to infer that the protagonists suffer a disturbed moral conscience when they find justification in MAPs’ motives for their behaviors. Such inferences lead to the approbation of their behaviors and then result in eudaimonic experiences and a sense of self-expansion. With a moderation-of-process design, Study 2 provides further evidence that behavioral approbation has a mediating role in viewers’ appreciation processes.

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