Abstract
Around the millennial years it was a priority for both the British Government and the Media to promote the changing, multicultural face of Britain. Contemporary British drama and its critics have also been largely preoccupied by the same agenda. How far are such spectacular representations of “new nationhood” indicative of actual, fundamental changes in the way Britishness is conceived today? How much of these aspirations has been fulfilled?
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
