Abstract
Part of my current Blue(s)Print poetic practice, this piece was written after attending a friend's Nichiren Buddhism conference and then later attending Betty’s Daughter Arts Collaborative’s black/water: The Digital Ceremony. The shape of the poem's maps are inspired by the Angaria Delphinus shell I received recently, thinking about the connections to the Delphi Oracles, Sibyls, and Mami Wata priestesses. I want this piece to represent the Sux within language and history, and that language can be a meditative, spiritual guide and gate opener to the vast history and connections of the diaspora. Is what we think of as lost really lost or just transformed and in constant motion?
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