Abstract
The promoting of a patriotic cinema by the Russian state favored a new production, which appropriates in various ways this topos of the Soviet cinema which is the patriotic Great War. The variety of the films is actually coupled with a big heterogeneousness of the reactions of the public; therefore the analysis of the comments of the Internet users allows to identify several fractures as for the representation of the war and for the expectations of the spectators. This study illustrates the lack of consensus around the war, it allows to seize the modulations and inflections of the patriotic theme and to understand the indignation, that met Mikhalkov's film Burnt by the Sun 2.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callMore From: The Journal of power institutions in post-soviet societies
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
