Abstract
This article discusses Margaret Atwood's novels Oryx and Crake and The Year of the Flood in the context of sustainability. The novels present the ecological crisis as arising from flaws in humanity's biological make-up; sustainability is thus a question of housebreaking the human animal, that is, of aligning human behaviour to the requirements of the planetary oikos. Through her protagonists, Atwood explores possible answers to this question which can be understood as anthropotechnologies in the sense outlined by Peter Sloterdijk in his controversial essay “Rules for the Human Zoo”. Similar to the latter, Atwood's novels arrive at a qualified humanism informed by evolutionary biology and disenchanted with human nature.
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