Abstract
In this paper I will attempt to show how horror movies function as societies’ nightmares. They can be interpreted as depictions of our collective struggle to integrate and inevitably repress national trauma. In most psychotherapeutic traditions dreams are regarded as valuable communications from the unconscious and vital for psychological maturation. Among dreams, nightmares often point to indigestible experiences on an individual level. Similarly I will argue that horror movies grapple with our collective traumas and can be interpreted just like dreams. They are our collective nightmares. The logic of this approach is based on psychodynamic and analytic theory and the shared characteristics (isomorphism) of watching a movie and having a dream. Relevant psychodynamic theory and movie analysis will be used to further this point.
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