Abstract
Abstract The downtown marathons of Bang on a Can might seem worlds away from the American symphony orchestra, but in the mid-1980s they shared a common context: David Lang worked for the New York Philharmonic in this period as an assistant to composer-in-residence Jacob Druckman. His assistantship was part of the granting organization Meet the Composer’s Orchestra Residencies Program, which placed American composers in residencies with symphony orchestras and fundamentally reshaped the relationship between new music and the marketplace. The program’s most high-profile success, the Philharmonic’s 1983 Horizons festival, captured an unprecedented audience for new music via its heavily publicized theme of “A New Romanticism?” And Lang’s subsequent work with the Philharmonic provided him with experience and connections, as well as a growing ambivalence toward the orchestral sphere that shaped the maverick mindset of Bang on a Can.
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