Honor and Dignity in the Film Unforgiven: Implications for Sociolegal Theory

Abstract

This article calls attention to “honor” and “dignity” as two fundamental, antithetical bases of unique value systems, both highly significant to social orders and legal systems in the contemporary Western world. The article argues that in this comparative context, the relatively new dignity-based value system may be better defined and articulated; at the same time, the overlooked, traditional honor-based value system, which underlies much of contemporary reality, can be better identified and replaced or at least modified by a dignity-based one. Rather than look to specific sociolegal realities, the article presents this line of thought from a “law-and-film” perspective, i.e., through the close reading of a single feature film: Clint Eastwood's Unforgiven. This contemporary, widely familiar, and immensely popular Western exposes the ugly face of the honor-based value system at the heart of the Western film genre; further, it subversively undermines this value system, replacing it with a dignity-based one. In so doing, the film expresses deep faith in the human capacity to transform, calling on real-world social and legal systems to follow in its footsteps and apply the same critical analysis and reformative activism to Western law and society at large.