Homer and Late Minoan Crete

Abstract

It is well known that Evans was not greatly interested in what happened in Crete after the devastation of the Knossian Palace, an event he placed at the very end of his Late Minoan II period. In his view, the Palace was not immediately re-occupied: some time after the catastrophe of 1400, it was inhabited by ‘squatters’, who repaired some of the damaged parts of the building but for the most part simply cleared away the rubbish deposited at the time of the destruction and lived in the Palace without substantially altering it. Evans believed that after the end of the Palatial period at Knossos the main vigour of the Minoan civilisation flowed into its Mycenaean branch and was responsible for the Achaean hegemony of the fourteenth and thirteenth centuries. However, the settlements at Knossos and elsewhere in Crete still preserved, though in a muted form, basic elements of the venerable native culture. The contents of the tombs in the Zapher Papoura cemetery, in use both before and after the great destruction, showed that the continuity of Minoan burial customs and pottery styles was not arrested. Evans nowhere tried to resolve the paradox which confronts anyone who takes his view of Late Minoan III Crete. On the one hand, we have the picture of a more or less impoverished country which had lost most of its importance, lying outside the main developments of the Mycenaean world and above all preserving its own culture at a time when the rest of the Aegean had been absorbed into a Mycenaean koine. On the other hand, both the Iliad and the Odyssey speak of a well-populated island of many cities which provides, under the leadership of Idomeneus, one of the largest of the Greek contingents before Troy; nothing in Homer suggests that Idomeneus is not as thoroughly ‘Achaean’ as Agamemnon himself.