Abstract

Edmund Burke’s Philosophical Enquiry into the Origin of our Ideas of the Sublime and Beautiful (1757) is of one of the most well-known texts of eighteenth-century British art and aesthetics alongside with Hogarth’s Analysis of Beauty (1753) and Reynolds’s Discourses at the Royal Academy (1769 – 1790). But The Challenge of the Sublime by Helene Ibata sheds new and fresh light on the Enquiry as it tackles Burke’s reception and legacy among nineteenth-century British artist. Ibata contends that...

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