Abstract
This chapter is a portion of the author’s ongoing study on the history of “sound art” in Japan. He aims to introduce the reader to a provisional history of sound in the arts in Japan between the 1960s and 1990s. This history has remained mostly unexplored, and the present chapter explores the contributions of Atsuko Tanaka, Group Ongaku (Takehisa Kosugi, Yasunao Tone, et al.), environmental art in the 1960s Japan, proto sound art exhibitions (Keijiro Sato, Toshi Ichiyanagi, et al.), Post Mono-ha artists, Kazumichi Fujiwara, Space in the Sun by Akio Suzuki, Kankyō Ongaku in the 1980s Japan (Satoshi Ashikawa. Hiroshi Yoshimura, et al.), and the exhibition series Sound Garden, Yukio Fujimoto.
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