History of Aesthetics

Abstract

The first use of the term aesthetics in something like its modern sense is commonly attributed to Alexander Baumgarten in 1735, although earlier studies in the 18th century by writers such as the third Earl of Shaftesbury (Anthony Ashley Cooper), Joseph Addison, Jean-Baptiste Du Bos, and Francis Hutcheson mark the first systematic inquiries into aesthetics in its familiar sense as a distinct branch of philosophy. Undoubtedly the 18th century saw the flourishing of inquiries into beauty, taste, the sublime, and genius, but few would be content to start a history of aesthetics in that century. For many centuries earlier, going back to ancient Greece, there had been philosophical reflection, even if only in a piecemeal fashion, on poetry, painting, music, and the beautiful, and these reflections had an enormous influence on later philosophizing. What is noticeable, though, is that prior to the 18th century it is not always clear where the boundary lies between aesthetics, as such, conceived as a distinctively philosophical inquiry into judgments of taste and the foundations of the arts and more general theorizing about art, including, for example, treatises on the arts often aimed at practitioners themselves. This bibliography operates under a number of constraints: it is, inevitably, highly selective; it focuses primarily, although not exclusively, on Western aesthetics; it draws quite a narrow boundary around what reasonably counts as aesthetics (or the philosophy of art); the entries are in English, some because the originals were in that language, the rest being in modern translations; the editions of the selected primary texts have been chosen for their accessibility and availability; and special emphasis has been given to works from the 18th century.