Abstract

In 2006–2007, I interviewed elderly Singaporeans on their experiences of resettlement from an urban kampong (village) to emergency public housing after a great fire in 1961. I learned much about the lives of semiautonomous dwellers in an unauthorized settlement and the individual and social transformation following their rehousing. My informants also highlighted what the experiences meant to them and their identity in a modern city-state. This paper treats the testimonies as both source and social memory and seeks to avoid the essentialism into which many social historians, oral history practitioners, and memory scholars have fallen in their approach toward the craft. As a source of social history, when used in conjunction with other historical sources, the reminiscences are patently useful for understanding the role of public housing in transforming a marginal population into an integrated citizenry. This enables the writing of a new social history of postwar Singapore that departs from the discursive official accounts of urban kampong life and of the 1961 inferno. At the same time, the oral history also underlines powerful social and political influences on individual memory, being marked by nostalgia for the kampong and ambivalence toward the imagined character of younger Singaporeans. Statements on the rumors of government-inspired arson in the 1961 calamity, however, constitute a significant countermyth in contemporary society, revealing a more critical side to the social memory.

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.