History, landscape, nation: British independent film and video in the 1970s and 1980s

Abstract

Abstract This article examines uses of history in British independent film and video in the 1970s and 1980s, looking at ways in which radical pasts were called on to foster struggle in the present. In tracing the influence of New Left cultural historians on independent film and video, and television, during these two decades, this article also suggests ways in which the nation is figured, contested and re-drawn in specific works by Kevin Brownlow and Andrew Mollo, Phil Mulloy and Black Audio Film Collective. A rich and diverse framework of leftist historical discourse is outlined, suggesting that the exploration of a socialized landscape (the city as well as the country) played on and renegotiated existing myths and tropes of Britishness, identity and belonging. This article also fills a gap in existing accounts of radical film’s uses of history, going beyond valedictory accounts of modernist historiography to assert the vitality of a complex counterpublic discourse. It concludes with a reflection on problems in the depiction and imagination of the past today.