History and Tradition in the Stories of Golden Orda Literature

Abstract

The article deals with the development and specificity of the genre of the XIV century Uzbek literature. The stories of “Nahjul-farodis” (Open Gate of Paradises) and “QissasiRabg‘uziy” (Stories of Rabguzy) works of literature and narrations are considered to be the basis of a story in the history of the genre. Also in the history of the Uzbek literature of the XIV century in the genre of the narrative, the different aspects of the genre are covered; analyzes the principles and factors that make up the genre of the story; comments on the classification of stories in this era; the didactic essence of the genre of the story is examined as to how appropriate the features of the genre are studied; the legitimacy and history of legitimacy in stories; the idea that the story plays a crucial role in determining a precise historical situation. In the history of the Uzbek literature, the author's view of the poetic theory of the theory of evolution is put forward and it is studied in the theory that the importance of genesis of stories is not understood and understood under the term master as one of the most important laws of the creative process. At the same time, in the history of the Uzbek literature, there is an idea that the history of Persian literature has served to a great extent in the creation of the genre of the story; as well as the influence of the folk oratory on the genre of the genre, and the interpretation of the stories based on the image and activity of historians. It is based on the need to take a fresh look at the roots of the story genre in Nahjul-farodis and QisasiRabguzy (Stories of Rabguzy). At the same time, it is proved that the development of the genre of genre should be studied on the basis of tradition and the theory of poetic learning. Keywords: story genre, historical principle, adventure genres, ethical-educational stories, agiographical work, folk tales, motive, cynriciouscondition.