Abstract

Arguably, Monty Python’s The Life of Brian is one of the most controversial interpretations of Christ’s story, due to the Pythons’ shrewd, satirical sense of humor and the film’s mockery of the historical public’s admiration and obsession with messianic figures. This paper takes a similar stance to scholars who argue, however, that the film is not blasphemous—it does not mock Christ himself. The argument hinges on the distinction between Christ and Brian. In separating Christ and Brian into two figures, the film operates on another level, allowing viewers to experience the rise of a messianic figure through Brian as well as introducing them to the historical context. Therefore, though ostensibly not about Christ, The Life of Brian provides insight into the historical time period of Christ and can be beneficial for those interested in furthering their understanding of Christ’s story.

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