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Next article No AccessHistory and Elegy in SokurovFredric JamesonFredric Jameson Search for more articles by this author PDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by Critical Inquiry Volume 33, Number 1Autumn 2006 Article DOIhttps://doi.org/10.1086/509743 Views: 137Total views on this site Citations: 5Citations are reported from Crossref © 2006 by The University of Chicago.PDF download Crossref reports the following articles citing this article:Alexander R. Galloway History Is What Hurts, Social Text 34, no.2 1272 127 (Jun 2016): 125–141.https://doi.org/10.1215/01642472-3468014 Bibliography, (May 2016): 614–630.https://doi.org/10.1002/9781118424773.biblioGunther Martens Reclaiming “geballte linke Energie”: War in Alexander Kluge’s Docufiction Heidegger auf der Krim, Seminar: A Journal of Germanic Studies 50, no.11 (Feb 2014): 69–82.https://doi.org/10.3138/SEM.50.1.69Janina Falkowska The myth of the father: Melancholia in the films of Andrzej Wajda from Poland, Michael Haneke from Austria and Aleksandr Sokurov from Russia, Studies in European Cinema 7, no.11 (Sep 2010): 67–76.https://doi.org/10.1386/seci.7.1.67_1Jeremi Szaniawski Historic space in Sokurov's Moloch , Taurus and The Sun, Studies in Russian and Soviet Cinema 1, no.22 (Mar 2007): 147–162.https://doi.org/10.1386/srsc.1.2.147_1

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