Abstract
Workers of all stripes and colors comprise a large and often forgotten segment of cinema history. This essay historicizes several key films and genres associated with early cinema, with an emphasis on pre-Great War French and American cinemas. Simultaneously, this essay formulates several critical responses to labor practices as globally understood and thus anchors this recovery of cinematized working classes, still an ongoing but marginal project in film studies today. Taken together, cinema can refract real-life occupational complexities, class dynamics, and workplace alienation – manifestations that are crucial to, primarily, view class as a social concept and to help us to think through the tensions workers faced under monopoly capitalism. Against this backdrop we must see film's ability to both trivialize class archetypes and capture the complexities as a type of tribute, as the latter becomes a central focus in this essay.
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