Abstract
Like other earlier authors, Fielding and Richardson place culturally shared “codes” in their texts and exploit those codes for their readers' instruction and delight. The historical critic uses multiple approaches to reclaim what our ancestors knew and what can enlarge modern knowledge and, thereby, modern pleasure. I here try to reclaim lost classical allusions, and use lexicography, textual variants, rape and marriage laws, and social and dynastic history to illumine Tom Jones, Pamela in her Exalted Condition, and Clarissa. The historical critic thus is empirical, inductive rather than agenda-driven, and deductive in method, and is formalist as well as historical in critical practice.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.