Abstract

This essay argues that Rev. Dr. William J. Barber’s message on “Higher Ground,” a speech delivered at a massive 2014 protest rally, reveals his intentional problematization of distinctions between the sacred and the secular. As Barber’s articulation of what Ashon Crawley calls “Blackpentecostal breath” spill over the boundaries posited by conventional categories—they are too ecstatic to be ordinary speeches, and too political to be traditional sermons—these plural expressions identify themselves as sounds that come from another world. If both content and form are understood as thought, it becomes apparent that these prophetic utterances critique the oppression wrought by contemporary social orders, announcing the reality of live-giving, just forms of social life. In place of the world that seems natural, Barber’s incantations presence a world to-come, a higher ground. Thus, while Barber’s sound is familiar as a signature of black Christian contexts, his public ministry asserts that aesthetic practices such as these contain a surplus, a transformative and collectivizing capacity. Barber’s ecstatic preaching, then, functions as a technology of transcendence which refuses putative divisions between the sacred and the secular, advancing in their place a moral worldview.

Highlights

  • Follow this and additional works at: https://elischolar.library.yale.edu/yjmr Part of the Ethnomusicology Commons, and the Musicology Commons

  • The Moral Mondays movement emerged in response to dramatic public policy changes that occurred in North Carolina beginning in the winter of 2013

  • As New York Times writer Kim Severson observed, “it has been more than 28 years since North Carolina elected a Republican governor and more than 100 years since both that office and the legislature were controlled by Republicans.”[3]. Presciently, Severson mused that “as a result [of these elections], North Carolina is preparing for an ideological shift whose effects could be felt for decades.”[4]. For the many who wondered how McCrory, who had been a “moderate” mayor of the state’s largest city, would work with the Tea Party–fueled legislature, what followed might have been an unwelcome surprise

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Summary

Introduction

Follow this and additional works at: https://elischolar.library.yale.edu/yjmr Part of the Ethnomusicology Commons, and the Musicology Commons. Higher Ground: Rev. Dr William Barber II and the Political Content of Prophetic Form

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