Abstract
Recent experimental developments have enabled directivity measurements of played musical instruments with high angular resolution. The measurement system assesses directional radiation characteristics while including diffraction and absorption effects of seated musicians. The results are advantageous to better understand and visualize sound produced by the instruments, provide benchmarks for physical modeling, predict and auralize sound in rehearsal and performance venues, and improve microphone placement techniques. This paper explores steady-state directivities, contrasting key differences between brass, tone-hole, and string instruments. As expected, brass instruments generate relatively predictable results because of their single radiation elements. Tone-hole instruments produce notable interference patterns due to radiation from multiple instrument openings. String instruments produce even more complex directivities because of radiation from distributed vibrating structures and instrument openings. To illustrate the effects, the paper focuses on an instrument from each category, within the same pitch range.
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